现代装饰：本届传媒奖的竞争可谓异常激烈，评审们纷纷表示入围作品水准很高，有来自中国内地、香港、台湾、美国、英国、澳大利亚、法国、韩国、日本等多个国家和地区的五千幅作品参与比赛，竞争可谓相当激烈。您凭借《故园—似是而非》作品一举摘得“年度展示空间大奖”的桂冠，请谈谈您的获奖感言。

冯羽：获奖是个好事儿，至少证明了社会的一个适度认可，而且是一个传媒的奖项，所以，感谢传媒在众多作品中，发现了我们这个呼唤中国式人文的作品，从而也让我们更坚定、更鞠躬尽瘁地走自己未来的路。我们很珍惜和尊重每一个公平、公正的奖项，是这些肯定让我们多了坚持下的勇气。因为我们还有很长的路要走，这是我们选择给自己的宿命，别不多言，感谢。

现代装饰：在您看来，2013年深圳区域设计行业的市场行情如何？您对于公司未来的发展规划或是个人规划是怎样的？

冯羽：2013设计行业随着经济的放缓，应还是行业大洗牌的一年。至于行情，我们从来不关注。我们做的也不是市场化的设计，所以行情与我无关。团队一成不变的坚持持有中国的现代的人文空间设计。规划对于空间艺术来讲是虚伪的。我们只有追求，没有规划，顺其自然。

现代装饰：今年您在工作和生活中有何收获？

冯羽：今年我触动最大的事很多，比如：深港建筑双年展，何时可以给“人”举办一下；深圳“设计之都”这个称号，是否应该改成“工业设计之都”，真不知道这个城市为什么只注重推广工业设计，难道设计只有工业吗？反正乌七八糟，讲多也没用。设计经历便是创作作品的过程中所带来的痛并快乐着的感觉。比如：创作《故园—似是而非》，谁又会想到这个作品是诞生在遥远的新疆乌鲁木齐呢，而不是内地。应对这些大都市的甲方是一个讽刺。另外就是，团队当中想像空间艺术的越来越多，整体素养越来越高，这应是很大的收获。

INTERVIEW

Of 2013 the 11^th Modern Decoration International Media Award

Modern Decoration (hereafter referred as MD): The competition of 2013 media award is unusually fierce. There are five thousand projects from different countries including Mainland China, Hong Kong, Taiwan, USA, UK, Australia, France, Korea and Japan. Judges were very much impressed by the high standard of the shortlist. Your work <GUYUAN—Specious Feeling> was awarded as Annual Exhibition Space despite the competition. How do you feel about it?

Feng Yu: It’s a good thing and recognition from society at least. Thanks for discovering such a project that calls for Chinese-style Humanity. It will definitely encourage us to keep walking on this long road. That is the destiny of our choice, so thank you.

MD: How do you think about the status of Shenzhen design industry this year? What is the future plan for yourself or your company?

Feng Yu: With the economic slowing down, it should be a year of massive design market reshuffle. As for the market, we never pay attention to it because we are not doing market-oriented design. Our team, as always, keeps doing modern Chinese-style human space design. Future plan is hypocritical for space art. We pursue, not plan.

MD: what are the rewards of your work and life in 2013?

Feng Yu: There are a lot of things touches me this year, for instance: I wonder when the Bi-City of Urbanism\Architecture could show some humanity? And shall the title of “City of Design” for Shenzhen be corrected as “City of Industrial Design”? I really don’t understand why Shenzhen only promote Industrial Design. Is design all about industrial design? Anyway, quite a big mess. Talk seems meaningless. Designing is the bitter sweet feeling brought by creation. Such as GUYUAN-Specious Feeling, who would have thought it’s located in Urumqi, Xinjiang, a remote area far from mainland. This is an irony to Party A in metropolis. Moreover, more artistic and imaginative members have joined our team. A higher quality team is my biggest reward this year.