Hall, "Wei, Jin and Southern and Northern Dynasties"            《魏晋南北朝》展厅

Wei, Jin and Southern and Northern Dynasties, although only five words, but by including the dynasties or national,

can be as many as several dozen. Due to the long feudal separatism and continuous war, the regime frequently turn,

social unrest and political role in the culture, the rule is also the dissemination of this nation's advanced

culture, so that this period of the development of Chinese culture in particular the impact of China Society is like

a big melting pot, absorbing all kinds of advanced culture, but also to extract the various cultures of China.

Therefore, in the design of the exhibition hall of the Wei, Jin and Southern and Northern Dynasties, the surging

must feel the pulse of history started with the design, such sentiments are mainly embodied in the following areas:

1, first of all grasp the social changes, the most important features of this turmoil, so I used the comparison of

design practices, on the ground, choice of three different materials, representing different cultures, yellow

sandstone, pushed into a wave shape plot, on behalf of China's history, stretching one after the time of stability

and pushing slowly accumulated, just like the rock, recorded a time history of the development. White pebbles, we

all know, the gravel through a long period of external force and grinding Review, distinct from the edges and

corners of the smooth stones into gravel, use it to the essence of China's 5,000 years of culture in appropriate.

The culture-the culture, is opposed to gravel, and it represents a wide variety of foreign culture, although not

completely integrated, but you have me, and I have you, interaction, and mutual constraints. Three in the history of

the national culture and foreign cultures adhesives.

2, in this case the most prominent Chuan head and ancient culture of stone compared with a lavish Chinese court and

symbols, to compare the most primitive air-suction of the stone, after a trip into the design of modern practices,

on the one hand people To the visual impact, on the other hand, also hinted that the visitors to this period of

social unrest, the regime overlap. (Many were moved to the palace ruins, many also built on the ruins of the palace)

3, Showcase of sandstone form, with the wave interpretation of social change, with ups and downs witnessed history.

魏晋南北朝，虽然只有五个字，但其中所包括的朝代或国家，可以多达几十个。由于长期的封建割据和连绵不断的战争，政权频繁交替，社会动荡，政治作用于文化，统治方同时也在传播着本民族的先进文化，使这一时期中国文化的发展受到特别的影响，中国社会就好像是一个大的熔炉，在吸纳各种先进文化的同时，也提炼出各种文化的经华。

因此，在设计魏晋南北朝展厅的时候，必须心存澎湃的随着历史的脉搏展开设计，这种情绪主要体现在以下的几个方面：

1，首先抓住社会变革，动荡这一最主要特点，因此，我采用了对比的设计手法，在地面，选用三种不同材质，分别代表不同的文化，黄色砂岩，推积成波浪形状，代表中国的历史，绵延不绝，经过时间的推稳而慢慢积淀，就好像岩层一样，记录着时间的发展史。白色卵石，我们都知道，卵石是通过长时间的外力作用而产生磨察，由棱角分明的石块转变成光滑的卵石，用它来代表中国五千年的精髓文化在合适不过。对于文化石的文化，是相对于卵石来说的，它代表着各种各样的外来文化，虽然没有完全被融合，但是你中有我，我中有你，相互作用，和相互制约。三者中，历史是本民族文化和外来文化的粘合剂。

2,本案中最显眼的椽头与古朴的文化石相对比，用一种奢华的中式宫庭符号，来对比最原始气吸的石材，行成一种后现代的设计手法，一方面是给人以视觉上的冲击，另一方面，也在向参观者暗示着这个时期社会的不安定，政权交叠。（很多的王宫被移为废墟，很多废墟上又建起了王宫）

3，橱窗中的砂岩造型，用波浪诠释社会的变革，用起伏见证历史。