框, 景Enframed Scenery

在黑與白、框與景之間穿梭，運用空間中光影層次的交疊，還原材質本身純粹的肌理和質感。試將過度的綴飾降至最低比例，透過「虛實三進」的設計手法，讓空間更為內斂、自省，而不著痕跡地去引導和延伸人的視線，進而細細品味室外景致投射至室內的美景。空間化繁為簡，單純卻不失去韻味，創造出一框即一景的生活場域。

Shuttle between black and white, frame and scene.The designers use the overlapping of light and shadow to restore the purity texture and the quality of the materials. They minimize the decoration, creating the “Three-Hall style between vision and reality” design concept to restraint the space. Try to guide and extend viewers’sight without traces so people could admire the indoor scenery that was projected from the outside. Simplify the space, make it pure but not losing the charm, and creating a living environment that when there is a frame, there is a scene.

軸/構築 Axis/ Construct
將原本公私領域交錯的格局，重組軸線，
讓原有隔間打破，利用機能去界定空間，
將場域開放，而去除不必要的迂迴動線，
進而視線開闊而延伸至窗外與景色產生連結，

透過牆面及櫃體虛實的線條、低彩度的材質搭配，
彰顯出材質本身的力度，讓純粹的光影映照出肌理傳達溫度，
建構出新的生活對話。

We reorganize the axis to adjust the mix compartment of private and public.

Breaking the original partition and using functions to define the spaces.

Open the space, and remove the unnecessary complex circulation.

Broader the view and connect your vision with the scenery outside of the window.

The real line and the decorative line of the cabinet, the line of the wall, and the low saturation, all manifestthe strength of material.Making the pure light and shadow to reflex on the texture and express the temperature.

Construct the new dialogue of life.

動/三進Moving/ The Three-Hall
將傳統四合院三進的意象轉換成於空間，
運用動線將庭、廳、室，透過光線一層一層的引景向內延續，
在每一進的過程中刻意壓低過渡的空間與視線，
企圖醞釀在進入廳、室後，創造出廣闊、無垠的視覺層次，
也讓原有格局感覺更寬敞。
Transfer the traditional “Courtyard with Three Hall” design concept into the real space.

The flow leads the view walk through the vestibule, living room, bedroom and continue to go inward within the layers of light.

Intentionally reduce the excessive decorationwhile you walk pass through every hall.

So as to create a vast, boundless visual phase after entering the hall and the rooms.

And broader the original compartment.

靜/框景Still/ Enframed Scenery
從空間的起點，到廊道底端的視線，
將入口處陽台退縮置入綠樹與光影交織，
這樣的佈局讓人回家時感到沉澱心靈，
從庭入廳、室，透過斗框營造出畫框的感覺，
也因為視線位置的不同，
創造出近景、中景、遠景各種不同的景深。
When you see throughfrom the beginning of the space, to the end of the corridor, the light and shadow intertwined through the plant on the balcony,make you feel relieved when you back home.

The designers use the decorated frame to create the atmosphere of admiring artworks, from the vestibule, living room to the bedroom.

At the same time,standing at different places, creating different views, including close shot, medium shot and perspective.