作品名称: 非矩 Gradients
设 计 师: 唐忠汉 Chung-han, Tang
建筑类型: 电梯大楼
房屋格局: 居住空间-复层(楼中楼)
建案地点: 台北
空间坪数: 100 坪 (331 平米)
空间格局: 楼中楼
主要建材: 橡木染深、木纹砖、观英石石皮、义大利灰花岗、黑铁喷漆
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非矩 Gradients
于非矩之空间,
置入垂直水平之秩序,
为之平衡
Perpendicular lines are installed in the space with a sloping
ceiling to create order and balance.
Ceremony and Hints of the Intermediary Space
中 介 空 间 的 仪 式 与 暗 示
窄长的玄关空间,
与刻意压暗的灯光,行经玄关进屋
有如一种空间仪式,象征脱去繁杂城市喧嚣,
回归沉静心灵之过程/路径;
玄关尽头左侧光束斜射,
随着光线的指引动线清晰,
亦代表家人心向的归属。
Through the narrow foyer area and the
deliberately-dimmed lights, the passage from the foyer
into the house is a rite of space. It is to symbolize the
process/path on which the complications and clamors of
the city are discarded in order to return to the serenity of
spirit. At the end of the foyer, a shaft of light slants inwards
from the left, follow the light to the line of movement, it
also represents the longing to be together again
with one's family.
垂 直 虚 空 间 串 联
藉由用餐区上方楼板开口及楼梯的重新定位,
制造直向开阔视野,
同时为阁楼引入日光与风的流动,
串联起原封闭的阁楼空间,
使垂直的空间展开对话,
人与人间情感互动也顺应而生。
Through the opening in the floor boards above the dining
area and a repositioning of the stairwell, a direct open
space is created to expand the visual perspective, at the
same time bringing light and air flow to the attic.
A connection is made with the previously closed attic space,
initiating dialog between the perpendicular spaces.
The affection and interaction between family members will
also grow correspondingly.
水 平 量 体 区 分 空 间
于原本之阁楼空间由四向不同之斜面
及梁柱所构成,视觉感凌乱,于斜面之间,
重新置入垂直与水平量体,
长型吧台、直向梯间墙面、以及电视矮柜,
保留视线开阔同时依机能划分空间,
使得水平向之各空间亦能产生互动。
Between the formerly visually-disorganized slanted
surfaces and beams of the attic space, vertical and
horizontal installations are introduced between the
slanted planes - a long bar, a straight staircase, and a low
TV cabinet - to maintain the openness of the line of sight,
as well as to divide the spaces up according to the
functionality. This creates interaction between the
horizontal spaces.
材 质 的 情 感
材质选用上配合正对
大片绿荫与出海口的景观优势,
于室内带入原始石皮及自然木纹肌理,
以不过度雕琢手法诠释安定却悠闲的氛围。
The materials selected complement the large expanse of
greenery and the beautiful scenery of the estuary.
Original rock surfaces and natural wood finishes are
brought indoors and left as is without too much refinement
to provide an atmosphere of tranquil relaxation.
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关于设计师唐忠汉
唐忠汉
设计总监
台湾近境制作设计有限公司
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